Zachary Williams Shares Video For “Game For Guessing”

Zachary Williams (The Lone Bellow) has announced his debut solo record, Dirty Camaro out October 22nd on Dualtone Records. The album was produced by Robert Ellis and Josh Block at Niles City Sound in Fort Worth, TX and features Anderson East and Ashley Monroe, singer-songwriters John Paul White and Thad Cockrell and the gospel group Settles Connection.

Williams shares the first single, “Game For Guessing” which includes an appearance from the album’s producer, Texas singer-songwriter Robert Ellis. Its companion music video was directed by Debbie Ewing. Fans can pre-order Dirty Camaro today and limited edition vinyl, CD, and merch available via Dualtone.

It’s an ode to me and everyone else like me who’s pretty self involved, pretty confused, and pretty hopeful that maybe we’re actually good inside. It’s a confession that I don’t know what I’m doing, a song about that razor sharp line that we walk between being a competent, but self involved person, and being a person that’s on the verge of losing their mind at any given second. The first time Robert Ellis heard me sing this song he started dying laughing and said “I can relate”… and maybe we all can.”



Zachary Williams is best known as ⅓ of the Nashville-based supergroup The Lone Bellow. All born in the South, the three members met while living in Brooklyn and quickly found that in addition to having commonality in their upbringing, they all had wildly potent voices, a knack for harmonies and a desire to write in the great Southern story-telling tradition – songs about heartbreak and struggles and the human condition. The Lone Bellow has released five studio albums with one produced by Dave Cobb (Chris Stapleton, Brandi Carlile, Sturgil Simpson) and two produced by The National’s Aaron Dessner (Taylor Swift, Sharon Van Etten), including their most recent Half Moon Light.

Dirty Camaro is filled with lush string arrangements, vaudevillian piano, touches of honky tonk, saxophones and a wink that often isn’t found in The Lone Bellow’s earnest music. It’s lyrically reminiscent of Randy Newman and John Prine and its Williams self-effacing sense of humour that drives and entertains throughout. It’s clear that Williams has lived enough life to know he knows nothing. And his musings on the meaning of it all is an admixture of the people you love and the scenes that have amused you. 

Photo Courtesy: Eric Ryan Anderson