The Mountain Goats share “Wage Wars Get Rich Die Handsome,” the anthemic new single from their highly anticipated upcoming album Bleed Out, due August 19th on Merge Records.

“When I write an album that revolves around a theme, it usually takes two or three songs before I notice what’s going on. There’s always one song that becomes the ‘might as well dive all the way in’ song and on Bleed Out that song was ‘Wage Wars Get Rich Die Handsome,’ written while watching a French action movie way past my normal bedtime,” says the band’s leader John Darnielle. “Once I had the chorus of this one I started asking myself the kinds of questions that usually end up shaping the album: What if I just wrote all the songs on guitar? What if I leaned into the uptempo ones? In recent years I shy away from the fist-punch no-brakes anthemic style but here I figured, you know, no point just wading around in blood if I’m already in knee-deep.”

Maybe you are just like John Darnielle: In the depths of the pandemic winter at the end of 2020, the Mountain Goats frontman passed the time trapped at home in North Carolina watching pulpy action movies, finding comfort in familiar tropes and sofabound escapism. But you are not really like John Darnielle, unless the action movies you found comfort in included French thrillers like 2008’s Mesrine, vintage Italian poliziotteschi, or the 1974 Donald Pleasence mad-scientist vehicle The Freakmaker. Or unless watching them brought you back to your formative days as an artist, when watching films fueled and soundtracked your songwriting jags and bare-bones home recordings and in turn inspired your 20th album to be a song cycle about the allure—and futility—of vengeance. But there’s no shame in not being like John Darnielle; few people are.

“On earlier tapes you’ll find these sound samples,” Darnielle says. “‘Oh, where’s this sample from?’ It’s from whatever movie I was watching while I was sitting around on the couch with a guitar. I watch a movie, somebody’d say something that I like the sound of and I’ll write that phrase down. And then I would pause the VHS, write the song, record the song on a boombox, and go back to watching my movie. I got into doing that again; I just kept watching action movies and taking notes on what they’re about and on what the governing plots and tropes and styles are. It was very much like an immersion method acting technique.”

“We often make a record and then bring in some guests who flesh out the textures,” Darnielle says. “And for this one, it was very much like a pack mentality. That sort of seemed to proceed from the songs.” One new face was that of Bully’s Alicia Bognanno, recommended to Darnielle by his manager as a producer who could help nurture the rougher-edged sound these songs requested. “We met up and hit it off. She’s a great guitarist. It was kind of just a lark, to see what would happen, and it was totally great.”

Photo Courtesy: Spence Kelly