Cursive today shares its new single “Botch Job,” the propulsive opener of their forthcoming album, Devourer. An ear-quaking, catchy banger that rips through its 2:47 runtime, the song is accompanied by a video from director Travis Stevens(A Wounded Fawn, Jakob’s Wife, Girl On The Third Floor); it’s the second in the band’s series of horror-themed clips following lead single “Up and Away,” directed byBreaGrant (12 Hour Shift, Torn Hearts). “‘Botch Job’ is a rumination on what one has done with this life and those unfulfilling feelings that may accompany such thoughts. At this point, I don’t care to know what damage my body has incurred from years of abuse,” explains singer/guitarist Tim Kasher. “It’s those anxiety-fueled gremlins keeping you restless in the dead of night, but put to song.”Devourer (Run For Cover Records), out September 13, 2024, is now available for preorder.

Cursive, who will perform September 20th at Riot Fest, will embark on their fall U.S. run in support of Devourer on October 18th in its hometown Omaha, NE. A current itinerary is below.

In the years since its 1995 formation, Cursive developed into one of the most important groups to emerge from the late-’90s/early ‘00s moment when the lines between indie rock and post-hardcore began blurring into something altogether new. Albums like Domestica (2000) and The Ugly Organ(2003) became essential touchstones whose echoes can still be heard in new bands today. The pull of nostalgia can be strong over time, but Cursive’s work has often felt like a rejection of those comfort zones; the bandhas continually pushed themselves, with Kasher’s artistic restlessness steering them ahead. In fact, for Kasher, whose pointed observations always begin with looking inward first, it was an interrogation of this voracious creativity that planted the seeds of Devourer.

“I am obsessive about consuming the arts,” he explains. “Music, film, literature. I’ve come to recognize that I devour all of these art forms and then, in turn, create my own versions of these things and spew them out onto the world. It’s positive; you’re part of an ecosystem. But I quickly recognized that the term, ‘Devourer,’ may also embody something gnarly, sinister.” Devourer delves into that darker space. The characters populating the album have bottomless capacities for consumption, whether it’s resources, material goods, art, or even each other. Then they are consumed by larger forces, whether it’s humanity, Earth, dreams, time, or life itself.

Cursive tour dates:

9/20 – Chicago, IL @ Riot Fest

10/18 – Omaha, NE @ The Waiting Room*

10/19 – Omaha, NE @ The Waiting Room**

10/20 – St. Louis, Off Broadway^

10/21 – Nashville, TN @ The Basement East^

10/22 – Atlanta, GA @ Terminal West^

10/23 – Orlando, FL @ The Social^

10/24 – Miami, FL @ Gramps^

10/25 – Jacksonville, FL @ The Bier Hall at Intuition Ale Works^

10/26 – Gainesville, FL @ The Fest 22

10/27 – Charlotte, NC @ The Neighborhood Theatre^

10/28 – Durham, NC @ Motorco Music Hall^

10/29 – Washington, DC @ Union Stage^

10/30 – Philadelphia, PA @ Underground Arts^

11/01 – Jersey City, NJ @ White Eagle Hall^

11/02 – Amityville, NY @ Amityville Music Hall^

11/03 – New York, NY @ Bowery Ballroom^

11/05 – Kingston, NY @ Tubby’s^

11/06 – Somerville, MA @ Crystal Ballroom at Somerville Theatre^

11/07 – Buffalo, NY @ Rec Room^

* with Gladie, Little Brazil

** with Gladie, Criteria

^ with Gladie