Since about 2003, these two maniacs have been subverting culture, using a tried and true reverence for the holy spirit of real rock’n’roll, mixed with Grade-A songwriting sensibilities, and a penchant for sexually charged and challenging live hijinks of the first order.  Arish ‘King’ Khan: guitar, vocals. His voice is mostly the ‘snottier’ one. His guitar is the ‘lead’ one. Mark ‘BBQ’ Sultan: drums, guitar, vocals. His voice is mostly the ‘smooth’ one. His guitar is the ‘rhythmic’ one. The drums are played live with his feet. Together, they are an entity outside of their own control: The King Khan & BBQ Show

Khan and Sultan have always done things exactly how they choose, mostly to their detriment, but with a sincere, deep-rooted understanding that fecal chickens do indeed roost. Their timeless anthems have stayed alive through the decades (!), and seem to always get picked up again by the next generation, organically. This time around, social media has run HARD with the Sultan-penned ‘Love You So’, from their eponymous LP (In The Red – 2005). A legit and unlikely HIT in a world of prefab dreck, currently banking 100s of millions of views, downloads, video soundtracks… Misguided trend or not, the song proves the timeless resonance and magic these warlocks wield. And is a testament to the power of alcohol and mushrooms. 

The Pandemic and its collateral mental health damage dealt quite a blow to the boys, as it did many others. The King Khan & BBQ Show was a perennial and stalwart touring favorite. While their catalog is very impressive, it’s always been the live show that shone brightest and allowed them to share their ribald humor and chaotic, surrealist energy with an appreciative and varied cult of underground fanatics. A live show whose ritualistic primitivism opens portals to parallel worlds, to invoke spirits and ghosts using magick, using their raw soul – for good or for bad – to evoke the smells and feelings that confuse and delight. It took some time, but they have finally decided to continue the healing process by touring the USA this Fall, and to spread whatever joy they can to a broken world, starving for authenticity and fun.

o help usher in this new chapter, The King Khan & BBQ Show has been recording in Berlin. The first ear-worm to make an appearance in time to whet whistles is ‘Going Down’, which recalls vague childhood memories of great Coasters anthems, while never losing sight of the band’s punk rock ethos. A doomsday tale of capitulation and crawling back into the womb, disguised as a fun, springtime ode to cunnilingus and carefree sex, it is the first in a string of songs expected to come out before their 2022 Fall tour, as a precursor to their long-overdue 5th LP. An album that promises to be their best yet. No joke. 

The King Khan & BBQ Show has been impossibly fortunate over the years, all while remaining fiercely independent. Labels like Goner, In The Red, Fat Possum, Crypt and Norton have proudly minted their records. Tours of the Americas, Middle East, Asia, Australia, Europe were many. One of Lou Reed’s favorite bands, and it makes sense. You can easily hear their influences:  Velvet Underground, 60s punk, 70s punk, LSD, The Falcons, damaged art, Real Kids, Chef Boy-Ar-Dee, Z-grade horror movies, raga, hi-brow literature, farts… This is rock’n’roll. This is punk. This is early r&b. This is psych. This is doo-wop.  This is garage. It’s all this and more, without trying to be anything.

‘The King Khan & BBQ Show’ is a real band. Sure, their sense of humor is dirty, often subversive, and their costumes ridiculous. But the seriousness of their love of music as holy communion should never be taken lightly. They live a lifestyle of pure love for the genre of rock’n’roll, respecting and understanding its basic tenets, while themselves recognized as lifers, representatives of what they see as an important legacy. They cut their teeth together in Montreal’s ‘The Spaceshits’, a lightning-fast rock’n’roll band formed in 1995, and have toured and paid numerous dues since, sacrificing their minds, bodies, souls, friends, family… All for love. 

The band has managed to continue releasing top-tier material for almost 20 years, without consciously bowing to big business or succumbing to what’s ‘hip’, without changing much. And why should they? They do what they want, take it or leave it. Love ’em or hate ’em. But never say they can’t write and play a great song – and back it up with one of the best, most magical, energetic, crass, and nonsensical free-form live shows going. And they’re always available for a drink with whoever wants to hang till the sun comes up again. They care so much that they don’t give a fuck.

GOING DOWN FALL TOUR 2022

w/ support: Miranda and The Beat 

Sept 2 : Minneapolis, MN – Fine Line

Sept 3 : Madison, WI – High Noon Saloon

Sept 4 : Chicago, IL – Lincoln Hall

Sept 6 : Cleveland, OH – Beachland Ballroom

Sept 7 : Toronto, ON – Horseshoe Tavern

Sept 9 : Philadelphia, PA – Underground Arts

Sept 10 : Brooklyn, NY – Brooklyn Made 

Sept 11 : Boston, MA – Brighton Music Hall

Sept 13 : TBA

Sept 14 : Washington, DC – Black Cat

Sept 16 : Asheville, NC – Grey Eagle

Sept 17 : Atlanta, GA – The Earl

Sept 18 : Chapel Hill, NC – Cat’s Cradle

Sept 19 : Savannah, GA – El Rocko Lounge

Sept 21 : Nashville, TN – Basement East

Sept 22 : Memphis, TN – Gonerfest

Sept 23 : New Orleans, LA – Poor Boys

Sept 25 : Austin, TX – Hotel Vegas

Sept 26 : Fort Worth, TX – Tulips

Sept 28 : Denver, CO – Bluebird Theater

Sept 30 : Phoenix, AZ – Valley Bar

Oct 1 : Los Angeles, CA – Echoplex

Oct 2 : San Diego, CA – Casbah

Oct 4 : Pomona, CA – Glass House

Oct 5 : San Francisco, CA – The Chapel

Oct 7 : Portland, OR – Dante’s

Oct 8 : Seattle, WA – Clockout Lounge

Oct 9 : Seattle, WA – Clockout Lounge

Oct 11 : Vancouver, BC – Rickshaw Theatre

The King Khan & BBQ Show – ‘Going Down‘

Recorded in March, 2022

Released digitally by ‘In The Red Records’, with a physical version ready for the tour.

Recorded at Mark’s house by Sultan and Khan

Written and Mixed by Mark Sultan

Mastered by Tim Warren

Artwork by King Khan