Devil Master’s masterful and intricate new record Ecstasies of Never Ending Night is an alluring mix of black metal, death rock and Japanese-style hardcore. For Ecstasies, Devil Master welcomed new drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). They joined forces with producer Pete DeBoer (Blood Incantation, Spectral Voice) who recorded the album live to analog tape. The collection proves a definitive arrival for the Philadelphia band whilst witnessing them at their core – their roots in ritual magick have never been more prominent. Ecstasies expands on the warped riffing and dark atmospheres that have already propelled Devil Master as one of the underground’s most unique and unfettered bands. 

Just ahead of Ecstasies of Never Ending Night’s release next Friday on Relapse, the band gives us one more pummeling single, “Shrines In Cinder”.

The path from Devil Master’s lauded 2019 debut, Satan Spits On Children Of Light, to Ecstasies of Never Ending Night was long and winding. Beyond the many challenges presented by the pandemic, the band experienced a mutual parting of ways with half of their previous lineup. In the aftermath, vocalist Disembody Through Unparalleled Pleasure also assumed the role of bassist, strengthening the core songwriting trio alongside Darkest Prince and rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). 

As Darkest Prince points out, Ecstasies is a step above and beyond its predecessor. “This album is more mature and self-confident,” he says. “It’s moving past childish Satanism towards a more mature dark spirituality. This one is not relying on stereotypical tropes. It’s a real magickal experience.” 

In many ways, Ecstasies is meant to mirror Satan Spits On Children Of Light. “This and the last album are mirrored opposites, right down to the titles,” Darkest Prince points out. “There’s even an instrumental in the middle of the album, like last time. I believe in balance, so there’s a spiritual aspect to it. And it just feels good.”