Rebounder have announced their new EP Sundress Songs (out August 25th) and shared lead single “Disco Ball Soul,” a widescreen, lush track that frontman Dylan Chenfeld explains was “initially about the frustrations of being a Knicks fan. Funny enough, the evening we shot the video, we were watching the Knicks lose in the playoffs. The song wound up being about the anxieties of living in a city at night, though the anxiety of being a Knicks fan casts a long shadow.” The band have announced a run of East Coast headline tour dates including stops in New York, DC, Philadelphia and Toronto. Tickets are on-sale now, available here.
Over the last few years, Rebounder have quietly become one of New York’s most successful young indie exports, supporting everyone from MUNA to Twin Shadow to the How Long Gone podcast. Their 2020 debut “Japanese Posters” has racked up over 14 million streams alone, a testament to the band’s work ethic and crisply-realized, overwhelmingly hooky indie-rock. A winsome, wistful portrait of modern millennial life, their forthcoming EP Sundress Songs resembles a lot of classic 2000s indie-pop, but feels like it exists miles away from the current of revivalism that’s in the air right now.
Sundress Songs builds on its predecessor in nearly every way. A winsome, wistful portrait of modern millennial life, Sundress resembles a lot of classic 2000s indie-pop, but feels like it exists miles away from the current of revivalism that’s in the air right now. Dylan has omnivorous tastes and pays sharp attention-to-detail: Sundress dips into rakish funk (“Disco Ball Soul”), bedroom pop (“Second Serve Ace”) and skittish dance-rock (“Dreamland”). Produced entirely by Dylan, Sundress Songs is rich with production quirks and asides that speak to his years spent going on YouTube rabbit holes and tinkering in ProTools. “There’s a lot of people who are doing, like, Greta Van Fleet for the 2000s,” says Dylan. “What’s the point of that? I’m not gonna do it better than those guys. But maybe we can do something new.”
Photo Courtesy: David Gurzhiev
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