Tag Archive: “Twin Peaks”


This year I’ve had the incredible honor of becoming super involved with the best music publication around.  Thanks so much Ghettoblaster Magazine for pretty much letting me do whatever I want over the past year! Me and my dear dear cousin Luke oversaw the features The Monday Rewind, Future Sounds and Past Sounds for much of the year.  As of late we have transitioned our focus to the Best Song Ever Podcast, which has been a dream come true! This year I’ve listened to hundreds upon hundreds of albums and below you’ll find my top 20 albums of 2016.  Thanks for reading!


 

a1346728317_1020. Greys – Outer Heaven 

Outer Heaven opens with a subdued, seemingly standard indie-rock track inspired by the murder of a teenager in Florida and then on track two covers the recent terrorist attacks in Paris over ferocious post-punk rock, which is to say, this is a heavy hard hitting album. The serene music of the opening track mixed with its bleak lyrics giving way to the utter chaos that follows is a great illustration of how Greys seems to see the world we live in now. Musically speaking this is a fantastic post-punk album filled with dissonance, chaos and even some memorable and catchy choruses. There are also occasional flashes of Fugazi’s Guy Picciotto in the vocal performance of the heavier leaning punk songs on the album. All around this is a heavy, angry album that feels totally in line with the frustrating, anger-inducing landscape we currently find ourselves in.

Listen: Greys – No Star

 

 


 

a1300815586_1019. Dogbreth – Second Home 

Dogbreth is a criminally under-known band that makes fantastic power pop music, which is equal parts sugary sweet and a punch in the face. Their new album, Second Home, is a short, tight set of 10 songs that span the spectrum of rock music, yet maintains one cohesive voice. Classic guitar rock mixes with punk and power pop in the most balanced way that makes you scratch your head and wonder how they were able to pull this off. There are saxophone and synth parts spread over the album but what really shines is the guitar work and songwriting. The guitars shimmer, effortlessly pounding riff after memorable riff over the course of the album. Songwriting is also a key strength as all songs on the album are sing-a-long-able and will stick with you well through the day. Seriously, please listen to this album.

Listen: Dogbreth – Do You Really Want Me

 

 


 

covdifeuiaiv__f18. Noname – Telefone 

Kendrick Lamar, Chance the Rapper, Anderson .Paak, Noname. Yes, she belongs in the same conversation as those seminal acts who have hijacked RnB and Hip-Hop over the past couple years. Telefone is a beautifully poetic piece of art and is just a joy to listen to. It’s spacey and soulful to the tenth degree and Noname’s vocal delivery is fascinating to listen to. She pulls off the spoken/sung/rapped vocals that are popular right now but in her own way. She doesn’t use auto tune, giving this album a very organic feel. If you’re a fan of where Kendrick, Chance and Anderson have started to take music, you’d be wise to add Noname to the list.

Listen: Noname – Diddy Bop

 

 


 

ch132-goon-sax-rgb17. The Goon Sax – Up to Anything 

Australian jangle-pop is a style of music that has been done time and time again, yet The Goon Sax are able to breathe new life into the genre on their debut album Up to Anything. The album is full of the classic sonic territory covered on your typical jangle pop album. The guitars, how they jangle! What is really endearing when it comes to The Goon Sax is their songwriting sensibilities. The lyrics are at times painfully earnest and cover such topics as worrying about your sweaty hands, wanting someone to notice you and eating ice cream on your own. The songs could have easily been too much, but they are all done with the right amount of self-deprecation that The Goon Sax really pulls it off.

Listen: The Goon Sax – Up To Anything

 

 


 

a1949295813_1016. Muncie Girls – From Caplan to Belsize 

English trio Muncie Girls make incredibly catchy and lyrically challenging feminist pop-punk music. Over the course of just 30 minutes they take on misogyny, praise suffragette heroes, and give a searing indictment of a culture that seems content to forget about it all. Musically speaking this is a tight and technical set of songs with intricate verses and soaring choruses, which reminds us just how enjoyable really well executed pop-punk can be. From Caplan to Belsize is a truly special debut album from a talent that will be fun to watch in the future.

Listen: Muncie Girls – Gas Mark #4

 

 

 


 

cw30bbjuaaabeny15. Childish Gambino – “Awaken, My Love!” 

Awaken My Love! makes absolutely no sense. How in the world does this album work so well? I’m not sure that I can explain. Donald Glover, aka Childish Gambino, has always been more interesting to me as a comedian and actor than as a musician, as I’ve never thoroughly enjoyed any of his past albums. Honestly, when I heard that Donald Glover had put out an album that sounded like Funkadelic, I thought it would be a total train wreck. What Childish Gambino has put together instead is a mesmerizing and modern take on classic funk music. I wish that it had come out earlier in the year so I could have spent more time with it as I believe it would have ranked higher on this list.

Listen: Childish Gambino – Redbone

 

 


 

a1855127492_1014. Aesop Rock – The Impossible Kid 

The Impossible Kid is the most personal record Aesop has made, delving into dealing with depression and attempting to mend strained family relationships, while also focusing on mundane aspects of everyday life with fantastic surrealistic wordplay. Not only is The Impossible Kid Aesop Rock’s most personal album it is also one of his strongest outputs yet. Aesop Rock’s production is mostly post-apocalyptic boom bap, murky and somewhat mechanical with a strong breakbeat. There are some variances on that theme, but overall the production is solid and complements the vocal performance perfectly.

Watch: Aesop Rock – Rings

 

 

 


 

a3312050880_1013. Frankie Cosmos – Next Thing 

Frankie Cosmos is totally unassuming music that sneaks up on you and sneakily digs its claws deep. On the surface this a collection of simple singer-songwriter songs sung over clean electric guitar. Yet, when you dig more the layers reveal themselves in wonderful succession. Sure, the songs are simple, yet the execution of melody, lyricism and guitar work combine in a way that truly make Frankie Cosmos something special to behold.

Listen: Frankie Cosmos – Sinister

 

 

 

 


 

kero-kero-bonito12. Kero Kero Bonito – Bonito Generation Kero Kero Bonito is a British band who are inspired by video games and J-Pop music, all of which definitely shines brightly through on Bonito Generation. The music often has video game-esque sound effects of lasers over trap beats, straightforward pop and tons of other stylistic diversions. It’s an interesting combination that will have your head bobbing. Super pop female vocals alternate between singing and awkward rapping in English and then Japanese; again, it’s a combination that strangely totally works. It’s an absurdist and cartoonish album in the best way possible and should inspire anticipation for what is to come from Kero Kero Bonito.

Watch: Kero Kero Bonito – Break

 

 

 


 

c5e3089711. Chance the Rapper – Coloring Book 

How is this not a top ten album in 2016 for me? That’s how good this year was. Coloring Book is a masterful tour de force of an album. Ok, it’s not an album, it’s a mixtape or whatever. Chance the Rapper just keeps getting better and better with each new collection he releases. It’s hard to think that he would be able to top this. It isn’t easy to have a wholly original delivery in hip hop anymore, but this is where Chance’s main appeal is. The interplay of his singing and rapping is way better than anyone else who is trying to do the same. Coloring Book also has some of the most interesting music that I’ve heard on a hip-hop album in a long time. Gospel and modern rap are melded together flawlessly in a truly breathtaking manner that is something new and exciting for the genre.

Watch: Chance The Rapper – Angels

 

 


 

maxwell-blacksummersnight10. Maxwell – blackSUMMERS’night 

blackSUMMERS’night is probably the surprise album of the year for me as I really wouldn’t have thought I’d be this into an album by Maxwell. I have never really given him a chance until this year, and I am very happy I did. This is maybe the most spacey and beautiful albums of the year and is great for zoning out or really paying attention to the intricacies. Musically the intricacies begin in the stunning opening track and never let up throughout the remainder. Also, Maxwell has a pretty awesome voice in case you didn’t know. Again, this one took me by surprise and I’m so happy that it did.

Watch: Maxwell – Fingers Crossed

 

 

 


 

a2431309183_109. Owen – The King of Whys

The King of Whys, the eighth album former American Football member Mike Kinsella has released under the name Owen, is a beautifully tense album from start to finish. “Empty Bottle” opens the album up with this tension on full display as a loud guitar chord is struck over and over again as Kinsella sings a melancholy melody over otherwise pretty music. This sense of duality is carried on throughout the album, which finds songs diving headfirst into beauty and aggression. There are several seemingly straightforward acoustic guitar led Emo singer songwriter songs, yet the instrumentation makes the tracks much more interesting than they could have been. Sometimes it is flourishing strings and sometimes fantastic drumming, yet the backbone of all the songs remains Kinsella and his ability to pull off melodramatic songwriting with ease. This is easily one of the most beautiful albums of the year, yet it still surprises and leaves you with a sense of unease at the same time.

Watch: Owen – Settled Down

 


 

5918926e8. Twin Peaks – Down in Heaven 

Twin Peaks’ new album Down in Heaven is the type of album that is steeped in various influences, yet wholly original. The overall sound is classic rock mixed with elements of jangly country all with the DIY spirit Twin Peaks has had since their inception. There are ballads, straight up rockers and various other turns over the course of the 12 tracks, resulting in an endlessly entertaining and unique album. There are shades of The Rolling Stones, The Kinks and T. Rex throughout. Twin Peaks member Caiden James describes the direction for the new album in the following way: “We wanted to make a record that employed the restraints of our favorite artists from yesteryear. It was about trying to simplify and hone in on the things that are important to our music and ethos.” This direction and the resulting album are extremely successful and definitely worth listening to.

Watch: Twin Peaks – Getting Better

 


 

dinosaur_trim7. Trim – 1-800 Dinosaur Presents Trim

1-800 DINOSAUR Presents Trim is not your normal grime album; everything in Trim’s world is wonderfully off-kilter. There are staples of grime music here, the heavily accented British rapping and dirty sounding electronics, yet it’s like an alternate reality version of grime at the same time. The music sounds as if it could have been lifted straight off of an Aphex Twin album as the album is full of atmospheric and sometimes meandering electronic music. Trim raps and doesn’t rap at the same time, sometimes settling into a quasi-rap / quasi-spoken word delivery, which is incredibly poetic and fascinating. “Man Like Me,” the albums latest single, is by far the most “normal” or “accessible” song on the album, which means the listener is in for a heady listen. If this at all sounds interesting then this album full of art-house grime is definitely for you.

Listen: Trim – Man Like Me

 


 

c3ad8a769406b97880d7c3368aadda5d-1000x1000x16. Vince Staples – Prima Donna

Vince Staples and Kendrick Lamar are quite different talents, but in the same orbit and are probably the best two rappers currently making music. Last year Staples released Summertime ’06, his debut full length, which was only out shadowed by Lamar’s To Pimp a Butterfly. This year, both Staples and Lamar have released EPs that seem to take the greatness of their previous releases and progresses their sound in fascinating ways. Staples has always made music that is aggressively grimy and murky, yet never in an alienating way. He has somehow been able to keep his music incredibly accessible and challenging at the same time, which is quite a feat to accomplish, especially with hip hop music. Prima Donna somehow finds Staples pushing these conflicting aspects of his music to their limits, making this at times the most challenging and most accessible music he’s made to date. Although there are only six songs on the EP and it’s a short listen, Staples covers more sonic territory than most hip hop albums do in eighteen tracks. These beats are simply mind blowing from start to finish with some real artistic bangers going on. It’s an incredible EP from a real rising star in the hip hop world that simply can’t be missed.

Watch: Vince Staples – Prima Donna


 

a3806482547_105. PUP – The Dream is Over 

PUP’s lead singer found out that his vocal chords were incredibly damaged due to the amount of abuse he had been putting them through on long, grueling tours. When referencing his future as a rock singer his doctor said “The dream is over.” Instead of listening to that advice, PUP named their next album after the phrase. This is an incredible set of super powerful and hard hitting rock songs done with just the right amount of pop sensibilities. Imagine Weezer’s Blue Album but with way way more muscle. It’s a truly magnificent feat.

Listen: PUP – Doubts

 

 

 


 

09e256ce885fe6b3cf181239c3b3231c-1000x1000x14. A Tribe Called Quest – We got it from Here … Thank You 4 Your service 

Runner up for surprise album of the year has to go to A Tribe Called Quest. When I first heard that they were going to be releasing a new album I was obviously intrigued, but never imagined it would be as good as this. Especially considering they have evolved their sound to fit into the modern rap landscape. It’s a move that does not often work for a well-established group, but they pulled it off wonderfully. Obviously the best hip hop album of the year. Also, I could straight up listen to Q-Tip rap the dictionary and be completely content.

Watch: A Tribe Called Quest – We The People…

 

 

 


 

mannequin-pussy-romantic-14773442273. Mannequin Pussy – Romantic 

11 Songs in 17 minutes. I still cannot get over how much terrain this crazy band covers in that short of time. Seriously, this album has a few movements in it; shifting from hard to soft, both musically and thematically, Mannequin Pussy have crafted the best rock album of the year. Yet, it’s still going criminally unnoticed. That’s right, I said criminally, and in my America those who were unfamiliar with this album would be jailed. It’s that good. There are some great straight up scuzzy hard punk moments mixed with tender spacey rock and a great amount of really great pop punk as well. Why are you reading this? You could have listened to half the album by now. Seriously, stop and listen!

Listen: Mannequine Pussy – Denial

 

 


 

a1285209301_102. Eric Bachmann – Eric Bachmann 

After years creating music as the front man of indie rock legends Archers of Loaf and then Crooked Fingers, Eric Bachmann is back with an absolutely stunning self-titled album. Eric Bachmann is filled with nine songs centered around impeccable lyricism, bright piano and dazzling harmonies, making for a truly beautiful album. There are several stylistic ventures along the way, including country, doo-wop and alternative rock, but the songs are perfectly paced throughout the album so they never seem out of place. If you’re a fan of great lyrics sung in intricate melodies, you should definitely check out this album.

Listen: Eric Bachmann – Carolina

 

 


 

solange_cover-1475240092-1000x10001. Solange – A Seat at the Table 

For most of the year I was convinced that Eric Bachmann’s album would be my favorite of the year. I had a hard time envisioning an album that could dethrone his and did not think it would happen. Then Solange put out A Seat at the Table and I knew after one listen through that this was the best album I’ve heard in a very long time. The subtle yet complex music consisting largely of piano and drums is beautiful, interesting and the perfect backdrop to the stellar vocal performance from Solange. This album wasn’t made for me as the themes largely cover loving and being proud of being Black and depending upon yourself and the Black community to help one prosper. This album is a microcosm of 2016 and I find myself leaning very hard on the optimism that pulsates throughout because I have a hard time finding things to be optimistic about. Again, it wasn’t necessarily written for me, but the beauty in these themes and the craftsmanship that Solange displays is absolutely universal.

Watch: Solange – Cranes In The Sky

 


 

The One About the Best of 2016

Brian and Luke take you on a journey through some of their favorite albums of 2016.   Also, be sure to check out their individual top 20 albums of the year list on the Ghettoblaster Magazine website!

Every week Ghettoblaster feature writers (and dear cousins!) Brian LaBenne and Luke LaBenne will be bringing you fresh new songs with the hopes of introducing you to some that you may consider to be the best song ever.  Both Brian and Luke have no idea what songs the other has picked, so what you are hearing is their genuine reaction to listening to the songs together.  Also, if you enjoy this episode, head to ITunes to subscribe and rate our podcast with the highest rating available to you.

ITUNES LINK


Songs Played on The One About the Best of 2016

Outer Spaces – “Words” from A Shedding Snake on Don Giovanni Records

AJJ – “Cody’s Theme” from The Bible 2 on Side One Dummy Records

DOGBRETH – “Do You Really Want Me” from Second Home on Asian Man Records

Lambchop – “Relatives #2” from FLOTUS on Merge Records

Twin Peaks – “Getting Better” from Down in Heaven on Grand Jury Music

Mutual Benefit – “Not for Nothing” from Skip a Sinking Stone on Mom+Pop

PUP – “Doubts” from The Dream is Over on Side One Dummy Records

Frightened Rabbit – “I Wish I Was Sober” from Painting of a Panic Attack on Atlantic Records

Eric Bachmann – “Carolina” from Eric Bachmann on Merge Records

Kishi Bashi – “Honeybody” from Sonderlust on Joyful Noise Recordings

Every Monday, Ghettoblaster is looking back to new albums released the previous week.  Below you’ll find several albums released on Friday May 13th that we believe are definitely worth a listen.

Twin Peaks – Down in Heaven (Grand Jury)


Twin Peaks’ new album Down in Heaven is the type of album that is steeped in various influences, yet wholly original. The overall sound is classic rock mixed with elements of jangly country all with the DIY spirit Twin Peaks has had since their inception. There are ballads, straight up rockers and various other turns over the course of the 12 tracks, resulting in an endlessly entertaining and unique album.  There are shades of The Rolling Stones, The Kinks and T. Rex throughout. Twin Peaks member Caiden James describes the direction for the new album in the following way: “We wanted to make a record that employed the restraints of our favorite artists from yesteryear. It was about trying to simplify and hone in on the things that are important to our music and ethos.” This direction and the resulting album are extremely successful and definitely worth listening to.


Modern Baseball – Holy Ghost (Run for Cover Records)


Modern Baseball’s Holy Ghost is an incredibly solid pop-punk/emo album with a ton of heart. Jacob Ewald and Brendan Lukens share songwriting duties, with the first six songs being written by Ewald and the last five by Lukens. These songs cover a wide emotional range, from the highs and lows of touring life to heartbreak and personal struggle. Holy Ghost is a thematically heavy and mature album, but it is also a lot of fun to listen to, filled with catchy and hard rocking songs and clocking in under 30 minutes. Holy Ghost culminates in “Just Another Face,” which is a truly emotional song about struggling with depression and how some supportive words can be lifesaving. On the chorus Lukens channels one of these supportive voices singing “I’m not just another face, I’m not just another name, even if you can’t see it now,” which illustrates just how much the band has matured over the past two years.  This is the type of album from a young band that shows growth but also points to what exciting things could come next from them.


 

Eagulls – Ullages (Partisan Records)


Ullages, the sophomore album from Eagulls, feels like a lost gem from the 1980s that has just recently been uncovered. Sonically it is right in line with The Cure and Echo and the Bunnymen, without ever feeling like copycat music. On their first album Eagulls were catchier and even had some danceable elements. Ullages, on the other hand, is more of a slow burn of an album, content with plodding along at its own pace and revealing itself over time. It is a bit of a dour and tough listen, but there’s something to be said about Eagulls commitment to making an incredibly cohesive and unified album. Listeners who are able to embrace the gloom of Ullages will find themselves rewarded with a truly remarkable album.


 

Oscar – Cut and Paste (Wichita Recordings)


The true gift of Oscar’s music is found simply in his voice. He sings in a beautiful baritone with interesting melodies bringing to mind Stephen Merritt of The Magnetic Fields and occasionally Morrisey.  Oscar also produced all of the songs on Cut and Paste himself mainly in his own home, drawing on musical influences from all over the map, yet still within the pop-song framework.  The perfect example of what makes Oscar so special can be found in the very poppy, guitar heavy song “Sometimes,” which features an explosively catchy chorus and super fun music video as well. Cut and Paste is a wonderful spring-time album that will put a smile on your face and keep your head bobbing.

 

 

Welcome to Future Sounds vol. 5!

Every other week, Ghettoblaster brings you a playlist of singles from upcoming albums to excite and entice your ears.  Below you’ll find the entire playlist via Spotify as well as Playlist Highlights, which are songs that really stand out as essential listening.  So please sit back, relax and treat yourself to some seriously great music.


 

Outer Spaces – “I Saw You”

Outer Spaces is a new addition to the ever stellar Don Giovanni lineup, and it finds the label showcasing their softer side.  “I Saw You” is the first taste of the upcoming album A Shedding Snake and the appeal of Outer Spaces is abundantly clear over the course of this track.  This is nicely subtle but still intricate indie-rock with a wonderfully bright melodic chorus and an edge of darkness in the lyrics.  Outer Spaces cites Murmur-era Michael Stipe as an influence in songwriting and tone and the overall feel of the song is definitely reminiscent of this point of reference.  A Shedding Snake is out 5-27 via Don Giovanni.


Twin Peaks – “Holding Roses”

There is nothing quite like a great classic pop-rock song and straight out of the gate “Holding Roses” seems to be taken from a playlist of seminal classics.  Twin Peaks have crafted an immensely catchy gem with this song, combining smooth guitar riffs, clanking piano and a soaring chorus that will pop back into your head days later.  “Holding Roses” is the third taste they have provided from their upcoming album Down in Heaven, out on 5/13 via Grand Jury, and is definitely the best song of the bunch so far.


 

Islands – “The Joke”

Ever since Nick Diamonds appeared on the scene as a member of The Unicorns there has been something special about his songwriting ability.  He has been able to endure some big stylistic changes over the years, releasing albums in the band Islands as well as under the name Nick Diamonds.  Islands is now prepping two albums to be simultaneously released by Manque Music on 5/13.  The two albums find Islands showing off two different styles in which they thrive.  Taste will be the more synth driven pop-rock record, while Should I Remain Here at Sea? will focus on straightforward guitar driven pop-rock.  Islands has released several singles in pairs of twos over the course of the last couple months, but “The Joke” from Taste sticks out from the bunch.  This is a very catchy, very dance-able song with a synth line straight out of The Good the Bad and the Ugly.  All of the singles from both albums have been stellar thus far making this duo of albums a definite must listen in May.


 

Car Seat Headrest – “Fill in the Blank”

Teens of Denial is already set to send Car Seat Headrest into indie rock superstardom.  Critics from all over the map have been heaping immense praise on the album for weeks now.  Most noticeably the crew at NPR’s All Songs Considered, as well as the folks at Stereogum, have essentially said it is one of the best rock albums in a while, and thus far Car Seat Headrest has been proving them right with single after single of solid rock music.  “Fill in the Blank” is the opening track of Teens of Denial and is a wonderful start and stop catchy rock song that is most fun to listen to when turned up really loud.  Teens of Denial is out 5/20 via Matador.


 

KAYTRANADA – “Glowed Up” feat. Anderson Paak

KAYTRANADA has been collaborating on other artists’ songs for a long time and is finally set to drop his debut album 99.9% on 5/6 via XL.  “Glowed Up” finds KAYTRANADA tapping into the unstoppable force of energy of 2016, otherwise known as Anderson Paak, who has been collaborating on tracks with almost everyone and also released one of the best albums of the year thus far with Malibu.  Despite the already countless really good tracks Paak has been on, “Glowed Up” may be the best yet as it essentially two fantastic tracks in one.  The first part finds Paak rapping expertly over dreamy synth layers.  All of a sudden about halfway into the song, the music drastically changes and so does Paak’s delivery.  The synths now settle into a deep groove and Paak once again proves his double threat vocal status as he beautifully croons out the rest of the song.  This is an exciting song, which reveals more of itself with each repeated listen, and also makes the upcoming album from KAYTRANADA something to look forward to.


 

PAWS – “No Grace”

PAWS is a pop-punk trio from Scotland who are prepping their debut album No Grace, which is out 6/17 on FatCat Records.  The song “No Grace” is one of the catchiest and best examples of a top notch pop-punk song.  It’s loud and fast and the vocals fly along at a incredibly fast pace, culminating in a catchy, heavy chorus.  Perhaps the most fun tidbit about PAWS and their upcoming album is that it was produced by Blink 182’s Mark Hoppus, which is evident in the overall sound of the track.  This is seriously good pop-punk music arriving just in time for the sunny days of summer.


 

Full Playlist

 

 

Only Xiu Xiu could really pull this off.

Last year Australia’s Gallery of Modern Art commissioned a special presentation of the music from Twin Peaks from Xiu Xiu for their David Lynch: Between Two Worlds exhibition. Following that debut, the band has performed the material during select concerts all over the globe, including the Hollywood Forever Cemetery in LA and London’s Saint John-at-Hackney church. It is hard to imagine a group better fitted to enter the simultaneously playful and horrifying world of cherry pie, murder, and demonic possession that David Lynch and Mark Frost brought to life.

After the success of these shows and overwhelming support for the project, Xiu Xiu recorded their interpretation of the Twin Peaks soundtrack, resulting in Plays The Music of Twin Peaks. The album was produced by JherekBischoff and mixed by Greg Saunier.  The album is set for release April 16, 2016 for Record Store Day on Polyvinyl.

Xiu Xiu Tour Dates

04/03 – The Hague, NL @ Rewire Festival
04/04 – Duisburg, DE @ Grammatikoff
04/05 – Cologne, DE @ Stadtgarten
04/06 – Istanbul, TK @ Salon IKSV
04/08 – Paris, FR @ Centre Pompidou
04/09 – Brugge, BE @ More Music!
04/10 – Offenbach, DE – Leder Palast
04/11 – Esslingen, DE – Komma
04/12 – Hamburg, DE @ Kamgnagel
04/13 – Copenhagen, DK @ Jazzhouse
04/14 – Malmo, SE @ Inkonst
04/15 – Berlin, DE @ Silent Green
04/30 – New York, NY @ The Kitchen

 

Xiu

 

Xiu Xiu – Xiu Xiu Plays The Music of Twin Peaks

Tracklist:

  1. Laura Palmer’s Theme
  2. Into The Night
  3. Audrey’s Dance
  4. Packard’s Vibration
  5. Nightsea Wind
  6. Blue Frank Pink Room
  7. Sycamore Tree
  8. Harold’s Theme
  9. Dance Of The Dream Man
  10. Falling
  11. Love Theme Farewell
  12. Josie’s Past

The Twin Peaks dudes will soon be touring their youthful asses off, having joined up for dates with Foxygen and future shows with Bleeding Rainbow, as well as some headlining dates, which will feature their first headlining show in New York.

To commemorate their forthcoming West Coast tour, Twin Peaks guitarist Clay Frankel (who was briefly enrolled in the USC film program before dropping out for the band) made this impromptu tour promotional video: http://youtu.be/4S2IGU0jTYs

Catch the band at one of these dates: 

Tue. Aug. 6 – Los Angeles, CA @ Echoplex w/ Palma Violets

Wed. Aug. 7 – Fullerton, CA @ Burger Records

Sat. Aug. 10 – San Francisco, CA @ Brick & Mortar Music Hall w/ King Tuff, The Men

Sun. Sept. 15 – Chicago, IL @ Riot Fest & Carnival (Humboldt Park)

Wed. Sept. 18 – Dallas, TX @ Three Links w/ Bleeding Rainbow

Thu. Sept. 19 – Austin, TX @ Mohawk w/ Bleeding Rainbow

Fri. Sept. 20 – Houston, TX @ Fitzgeralds w/ Bleeding Rainbow

Sat. Sept. 21 – Baton Rouge, LA @ Mud and Water w/ Bleeding Rainbow

Sun. Sept. 22 – New Orleans, LA @ Triple 6 Klubhouse

Mon. Sept. 23 – Oxford, MS @ Lamar Lounge

Tue. Sept. 24 – Tallahassee, FL @ Club Downunder

Wed. Sept. 25 – Atlanta, FL @ The Masquerade [Purgatory]

Thu. Sept. 26 – Nashville, TN @ The Stone Fox

Sat. Sept. 28 – Cincinnati @ MidPoint Music Fest

Tue. Oct. 1 – Brooklyn, NY @ Shea Stadium

Wed. Oct. 2 – New York, NY @ The Mercury Lounge

Thu. Oct. 3 – Boston, MA @ Great Scott

Fri. Oct. 4 – Annandale-on-Hudson, NY @ Smog at Bard College