Tag Archive: “Swedish Columbia”

It’s hard to place Washington, D.C.’s own Reagan Bombs in any musical category.  Composed of DJ/Producer Tittsworth (who has worked with such artists as Q-Tip, Theophilus London, Kid Sister and Pitbull) and DJ/Screenwriter Scott Sanders (Black Dynamite, Thick As Thieves), the duo have spawned a hybrid sound that infuses their hometown’s brand of percussive funk known to many as Go-Go music.  What’s even more intriguing about Reagan Bombs is that they don’t go about recording their music normally.  Tracks are built using samples of other live musicians and using contrasting sources to conceive dazzling tunes.  Sounds found from various outlets, interview snippets, and classic VHS tapes are just some of Reagan Bombs tools.

Today, Ghettoblaster is proud to share the single “Red Thumb”, which will be on Reagan Bombs upcoming album S/T.

Here’s a quote from Tittsworth about the backstory of “Red Thumb”:

Scott and I both really dig a lot of percussive Indian music. Noticing a lot of similarities with go-go, we thought it would be cool to see how the go-go pocket combines with the Indian approach to tablas, dhols, etc. So we laid down most of the song w/ Stomp, Smoke and Shelby, then in true globalization fashion, used fiverr to get a tabla player on the track. A lot of folks have said this is their fav on the LP. Also as a result, I would travel to India to play & record drummers in makeshift studios out of hotel bathrooms:

(To see the makeshift studio mentioned above: https://www.instagram.com/p/BRhG7WGDsHu/?taken-by=tittsworth)

Oh, and the vocal is a go-go commercial, reversed. DC turned accidental dancehall.”

Reagan Bombs S/T is released on  June 9th via Swedish Columbia in cassette and digital.

To order a copy:  https://reaganbombs.bandcamp.com

On January 18th, 2016, Washington, D.C. musician Brahm (born Chaz Barber) posted a cryptic message on Facebook: “Rebirth”.  Following that post, Brahm posted pictures with nothing tied to them: a classic cat keyboard scratcher, a box full of floppy disks, and his logo.  The anticipation was crippling for Brahm’s fans; all of them enquiring to find out what was happening.  Behind those postings was Brahm carefully crafting his long awaited return to making music again; February 24th, Brahm will release the forthcoming album Ratimis via Swedish Columbia.

Consumed with hip-hop from the 80s, Brahm became heavily involved in wanting to produce.  In 1993, he purchased an ASR-10 sampling keyboard (used by notables that included Wu Tang’s own RZA).  Analog guitars, keys, effects, grimy drum samples, catchy vibes have all captured the essence of Brahm’s tunes.  It’s been over a decade since Brahm put out any material; hundreds of tracks and two albums (the last being 2006’s Built To Be Brought Down).  Swedish Columbia’s label runner and past collaborator Shelby Cinca reached out to Brahm to see if there’s any interest in getting back to creating music.  After Cinca reached out and explained how he wanted to release material, Brahm pulled out the ASR-10 again and got back to work.

The concept for the new album, according to Brahm:

Ratimis is a future city where a sole broadcast station is the only media that has been left available to the public. A city once so developed by smart technology and mass media was devastated by the lobotronix.eye crash of 2138, in which the primary operational unit R.A.T.I. (Reactive Arbitrating Terminal Intelligence) had developed so much sentience it finally determined that shut down was the ultimate decision. People panicked. Most perished. Only the mysterious cat, Saki, who can be seen lurking near the central transmission hub, knows who or what is behind these broadcasts. Decomposing cables, wires, televisions, VCRs and music equipment have now overrun the landscape and the few remaining are awaiting the next sign.  The next directive.  The next broadcast.

Pre-Order Ratimis here: https://brahmbroadcasting.bandcamp.com/

Listen to the single off of Ratmis “Lobotronix”:

This is Glitch-Hop. This is Niklas Åkerblad also known as El Huervo. The sounds created here certainly offer much after repeated listen, and even more repeated listens after that. El Huervo is a Swedish Glitch-Hop producer and painter, obviously an artist that deals in more than one medium but is more than capable in both. His forthcoming album Vanderveer drops on March 11, 2016 on Swedish Columbia. No, it’s not Columbia Records’ Swedish branch but the label owned by Shelby Cinca, who most will know as a founding member of Frodus. Cinca also adds guitar throughout the album. Take a listen to “Bizz,” I guarantee you won’t be disappointed.