Tag Archive: “Mute”

Welcome to Future Sounds vol. 3

Every other week, Ghettoblaster brings you a playlist of singles from upcoming albums to excite and entice your ears.  Below you’ll find the entire playlist via Spotify as well as Playlist Highlights, which are songs that really stand out as essential listening.  So please sit back, relax and treat yourself to some seriously great music.

Playlist Highlights

 

Mr. Lif – World Reknown (feat. Del the Funky Homosapien)
Two early-2000’s underground hip-hop kings unite for an utterly old school, fantastically fresh and just plain awesome track.  Neither Lif nor Del have missed a beat over the years and, in fact, sound rejuvenated as they trade lines back and forth at a frenetic pace like so few hip-hop artists do these days.  The production, with its futuristic swirling keyboard, sounds like The Roots circa Things Fall Apart and is the perfect complement for these two.  Mr. Lif’s new album, Don’t Look Down, is out from Mello Music Group on  4/15/16.

The Gotobeds – Real Maths/Too Much
In 2014 The Gotobeds released a phenomenal and criminally overlooked punk rock album titled Poor People are Revolting.  They are back this year after being picked up by Sub Pop and are readying their next release Blood // Sugar // Secs // Traffic, out on 6/10/16.  The Gotobeds have a sort of hybrid-punk sound, bringing to mind bands like Wire, The Fall and even Devo.  The first taste of the new album they’ve provided is a schizophrenic punk song, going all over the place in a short amount of time and leaving you wanting more.

Eagulls – Skipping
Every single released thus far (see also: “My Life in Rewind” and “Lemontree”) from Eagulls upcoming sophomore release Ullages would sound right at home on a mix next to Echo and the Bunnymen, The Cure and Cocteau Twins, and, “Skipping” is no different.  Right away they draw you in with the chugging bass line and never let up throughout the rest of the track.  Based on the immense strength of the three singles released so far, make sure to circle 5/13/16 on the calendar and pick up Ullages from Partisan Records.

Andy Shauf – The Magician
Last year, Andy Shauf released The Bearer of Bad News, which he recorded in his basement in Regina, Canada with a new found love for the clarinet and an acoustic guitar his grandfather left for him.  Shauf played every instrument on the album and put out one of the most interesting and heartbreaking singer-songwriter albums of the year.  He’s back again this year after being picked up by Anti- Records and will release Party on 5/20/16.  Anti- describes the upcoming album as a “tightly narrated thirty-eight minutes, all set to ornate arrangements of fuzzed-out guitars, string sections, clarinets and dreamy synths, all draped over delicate piano, acoustic guitars and rainy-day drums.”  Immediately upon listening to “The Magician” the benefits of a larger label and most likely better recording equipment, are incredibly evident.  The intricate instrumentation is all crystal clear and perfectly balanced, making for a really beautiful, yet strange song.

Yeasayer – Gerson’s Whistle
“Gerson’s Whistle” from Yeasayer’s upcoming album, Amen & Goodbye, is a hypnotic, meandering and wonderfully catchy song.  It slowly brings you in with lovely harmonies, strange synths and driving percussion, before taking off in several different directions.  This is an endlessly enjoyable, creative and just plain interesting song to listen to.  It’s also pretty weird!  Amen & Goodbye is out 4/1/16 on Mute.

Full Playlist

In Ghettoblaster 37 (on stands now), we had a chance to interview Aaron Hemphill of Liars on their new album, Mess – out this week on Mute! Here are some outtakes from Lorie Moulton’s photoshoot for us.

Mute have signed Swans for all territories outside of North America and a new album, To Be Kind, will be out on May 13. The album will be released on Young God Records (North America) and Mute in the rest of the world.

The album was produced by Michael Gira, and it was recorded by the venerable John Congleton at Sonic Ranch, outside El Paso Texas.  Further recordings and mixing were accomplished at John’s studio in Dallas, Texas. They commenced rehearsals as Sonic Ranch in early October 2013, began recording soon thereafter, then completed the process of mixing with John in Dallas by mid December 2013.

A good portion of the material for this album was developed live during the Swans tours of 2012/13. Much of the music was otherwise conjured in the studio environment.

Catch the Gira live on his forthcoming tour:

1 March – Lyon, FR @ Les Abattoirs

4 March – Porto, PT @ Passos Manuel

6 March – Madrid, ES @ El Sol

7 March – San Sebastian, ES @ Andia Kuxta

8 March – Barcelona, ES @ Sala Apolo

10 March – Paris, FR @ Église Saint-Merri Church

11 March – Amsterdam, NL @ MC Theater

12 March – London, UK @ Church of St John-at-Hackney

14 March – Copenhagen, DK @ Hofteatret

15 March – Oslo, NO @ Blå

16 March – Oslo, NO @ Emanuel Vigeland Mausoleum Museum

18 March – Warsaw, PL @ Pardon, To Tu

19 March – Warsaw, PL @ Pardon, To Tu

21 March – St. Petersburg, RU @ Dada

22 March – Moscow, RU @ Teatr Club

24 March – Odessa, UA @ Bernardazzi Wine Club

26 March – Bucharest, RO @ Control Club

27 March – Bologna, IT @ Locomotiv

28 March – Milan, IT @ Bloom

29 March – Berlin, DE @ Kantine @ Berghain

Details behind Liars’ seventh full-length have arrived; the band’s Mess drops in North America March 25 through Mute and a day earlier overseas.  Songs from the set had apparently premiered live last year at New York’s Museum of Modern Art.

Catch the band at one of these dates:

04/26 Mecca, CA – Sunset Ranch (Desert Daze Festival)
05/02-04 Austin, TX – Austin Psych Festival