Tag Archive: “Lando Chill”

It’s been quite the week. I don’t normally share anything personal but the intensity of this week borders on insanity. Medical issues surrounded me but everything and everyone seems to be healing, thank goodness. Situations force you to put things in perspective on occasion but as the week rolls by you have the sound of reality bludgeoning your eardrums, asking you to please pay attention. My life is filled at times with movie quotes an song lyrics because sometimes they just make sense at the moment.

That seems to happen sometimes with Lando Chill whose new album The Boy Who Spoke To The Wind (Mello Music Group) seems to be the resulting product of a systematic problem many have faced throughout the years. While his debut For Mark, Your Son was tribute to his father, his sophomore release is a rallying cry. Where group’s like Public Enemy were at the forefront of establishing a formula of noisy elements filtered in its powerful music along with Chuck D’s clear and precise imagery of oppression and revolution, rapper/wordsmith Lando Chill takes a different approach.  He wants you to take in his words, but he won’t force you to do what he says. That’s not his style. Chill wants you to comply but he’s not going to make you. “Break Them Shackles” is filled with metaphors that tells a story about an oppressed culture but he knows one thing though, and when he shouts, “We about to look good when we break them shackles one day” you know exactly what he’s referring to. It’s all set to straight-forward beat, driven by a few notes on a piano that’s infectious. “The King Of Salem” doesn’t stray far from the theme but when he mentions “…to Malcolm, Martin / and some voodoo from Wakanda / and still they call my tribe people savages…” he’s telling the story of intelligence and power that hasn’t been silenced. All this under a dark and spooky timbre of a backdrop which has a haunting bassline. Chill’s humor isn’t missed on “People Are Evil,” where he sings “All of my people are evil” and “Now why are we so evil? Why they killing all are people.” He uses this catchy laid back joint to draw on images of death because of misconception and perception. Possibly one of my favorite tracks on the album, that is until we get to “No Paz” (no peace) which has a bouncy beat that follows a Family Stone-type intro. It’s interesting how clearly his vision is expressed. It shows his anger without being angry. Lando Chill isn’t strictly about politicizing what he sees on a daily basis as “o sicario e o padre” he raps about struggle with his art and how “Everybody wants to ride that train to Basquiat / but they ain’t about that life / they ain’t never hit that rock bottom.” The gospel of Chill has been edited here where the struggle of the black man takes precedence on The Boy Who Spoke To The Wind but it doesn’t overshadow who Lando Chill is: a fierce artist who gets his point across through the imagery his words display. The album isn’t an easy listen, which it shouldn’t be. It should make you feel uncomfortable at times because as a society and as people, we’re all complex. This release holds 14 tracks; 14 powerful songs.


For some reason I find Terence Ryan to be quite the conundrum. Everything I’ve read about Ryan I probably would have pegged him as something different but the way this 20-something year old does leaves me confused is a good thing. Born to and raised by working class parents, this suburban kid didn’t grow up with anyone else who was musically inclined surrounding him. But that’s of no consequence because with his debut full-length Don’t Panic (3QTR/Kobalt Music Recordings), he’s on a clear path to domination. Ryan seems to have more soul in his blood than one would believe.  From the moment this album begins it reveals nothing but sincerity, hope and strength. “Mean It,” comes across as pop wonder, with so many nods to an R&B culture that came before him.  From beginning to end, even at its quieter moments there’s power within the song. When Ryan sings “I want to mean it/ Lord, give me meaning” he holds nothing back, never wavering. But the power of this one track doesn’t overshadow what follows with the remaining numbers on the album, not by a long shot. “Nothin'” trails off the path, much more laid back but brimming with so much swagger and beauty. But it isn’t as if Ryan is a one trick pony because his quieter moments are just as urging. “Just A Spark” begins with a ballad-esque feel but then morphs into a slower jam with a contained will to explode.  He’s a fascinating character that switches thing up on more than one occasion, blistering through his acoustic guitar on “Agoura CA A Particular Time In Eternity.” This is where Ryan shows his range and it’s scary. When he hits those higher notes, images of Jeff Buckley haunt me.  It will leave you paralyzingly awestruck. I want to say something negative about Don’t Panic because nothing should be so perfectly wound tight, but there’s nothing I can hold against Ryan. “Rock Bottom” showcases that same beautiful voice of his and musically there’s a play on dynamics here and songs like “To Live And Die In New England,” an ode to his home territory, shows how he can just do it all. I’m dumbfounded as to why Terence Ryan isn’t a huge star. He has the talent and the chops to take it all. The world just needs to catch up to him.

Terence Ryan

Rounding out the trifecta of releases this week is Precious Art (SideOne Dummy), the fourth release for Rozwell Kid. The album leaves the band on the precipice of its career. Some group’s have to wonder on occasion if they should regroup, press the eject button, or simply move forward and continue to write and release music.  It’s a good thing the members decided to continue because the album is rife with clever pop songs with a hook at just about every turn, which is what the kids love. Throughout the years the West Virginia act has honed its skill and there’s no argument that all four members are tightly wound together, so much so where I’m sure they know where one’s instrument ends and the other begins. But one thing about Rozwell Kid though, I’m not sure if I’m completely sold on the band. Sure they write those clever pop songs but there isn’t something that makes me want to listen to them over and over again. I’m not discounting Precious Art because it does have happy, cheerful songs that you can dance to around in your bedroom but I can’t easily distinguish this band from any other groups if I heard their songs being played on the radio. In other words, Rozwell Kid isn’t identifiable. In a line-up, I probably wouldn’t know who they were but hey, it’s a well crafted album.

photo - Emily Dubin


Lando Chill – Facebook // Twitter // Instagram
Rozwell Kid – Facebook // Twitter // Instagram
Terence Ryan – Facebook // Twitter // Instagram

The One With Dancing on the Walls

On this episode: our dear cousins broadcast live from a pirate radio ship as Brian brings news that they’ve been cancelled by Ghettoblaster editor Dave Obenour, Luke tells some cheesy music jokes, Brian takes us back to 2013 when pop and indie-rock merged and Luke urges artists not to hang out with Taylor Swift, Brian shows us what the lovechild of Jesus and Mary Chain and New Order would sound like, listeners are reminded of Luke’s fervent Don’t Read campaign and talk about the incredible TV show The Handmaid’s Tale, Brian brings his dancing shoes and dances on the wall like Fred Astaire,  they talk a lot about death and ghosts and morbidly romantic music, Brian hypes the new season of The Bachelorette out May 22nd on ABC, Luke schools Brian on who Rachel ended up with in the Friends series finale and they play eight of the best songs you’ll hear all week!

Every week Ghettoblaster feature writers (and dear cousins!) Brian LaBenne and Luke LaBenne bring you fresh new songs with the hopes of introducing you to some that you may consider to be the best song ever.  Both Brian and Luke have no idea what songs the other has picked, so what you are hearing is their genuine reaction to listening to the songs together.  Also, if you enjoy this episode, head to ITunes to subscribe and rate our podcast with the highest rating available to you.


Songs Played on The One With Dancing on the Walls

Haim – Want You Back from Something to Tell You out July 7th on Columbia

Goodwood Atoms – Dreaming About from Place EP out May12th on Yunizon Records

Fazerdaze – Lucky Girl from Morningside out now on Flying Nun Records

Lando Chill – Break Them Shackles from The Boy Who Spoke to the Wind out June 23rd on Mello Music Group

LCD Soundsystem – Call the Police out now on Columbia Records

Chris Bathgate feat. Tunde Olaniran – Low Hey from Dizzy Seas out May 19th on Quite Scientific Records

Big Thief – Shark Smile from Capacity out June 9th on Saddle Creek Records

Cymbals – Decay from Light in Your Mind out August 25th on Tough Love Records

Tucson, Arizona’s Lando Chill announces the release of his sophomore album, The Boy Who Spoke to the Wind June 23 on Mello Music.  Chill is more than just another rapper, he’s an artist, a poet. He shares the first single off it entitled, “Break Them Shackles.”

All is one and one is all. When you speak to your soul, you speak to the world. You speak through love and that’s how you transform.” – Lando Chill

Lando Chill’s new album, The Boy Who Spoke to the Wind, is a personal tribute to self actualization, spiritual acceptance and social activism. About the title, Lando says, “The wind is one’s soul. It represents the human spirit and the earth.” Lando Chill is a warrior-poet, a man with one ear to mother nature and one to the plight of humankind. Lando wants to bring the issues of political freedom, police brutality and giving a voice to marginalized communities to the national conversation.

Inspired by the Paulo Coelho book, “The Alchemist,” Lando’s new album is about personal and spiritual transformation. While working on the project, Lando gained a new perspective; he learned that having answers isn’t enough.

Musically, this album is a movement forward from his previous work. Collaborating with producer Lasso, bassist Chris Pierce, as well as other key session musicians, the music is unique and intimate. The album harmonizes the internal and external in a cathartic symphony. The instrumentation is unlike anything else, sprawling from classic lo-fi hip-hop to high production scoring. The album is as reminiscent of James Blake and Bon Iver as it is of Frank Ocean or Kendrick Lamar.

Although originally hailing from the bustling streets of Chicago, rapper Lando Chill has grown up in Tucson, AZ and musically, he’s probably the better for it. While the young artist takes his lead from others that have come before him, he doesn’t sound remotely like anyone else. He’s crafted his own vibe and sound with last year’s debut long-player For Mark, Your Son.  It’s an album that was therapeutic for Lando, helping him deal with mortality. “Early In The Morning” is quite possibly one of my favorite tracks off the album and here it’s reworked with a live band for the official video release.