Tag Archive: “Lambchop”

Having recently graced the cover of our print edition (Issue 45- which you can order here) and receiving several outlets naming FLOTUS Album of the Year, Lambchop have announced the release of their 12-inch single, being released on August 8.  The single will contain a new version of “The Hustle” entitled “The Hustle Unlimited” along with a cover of Prince’s “When You Were Mine”.

Here’s Lambchop’s own Kurt Wagner on “The Hustle Unlimited”:

“Sometimes things can get out of control, an impromptu idea is presented, and you take that idea to a logical conclusion to see where it goes. In this case, Tony Crow [piano] came up with a rather ‘Love Unlimited Orchestra’ take on ‘The Hustle’ during a rehearsal with Andy Stack [drums, Wye Oak]. It seemed nuts at the time, but being rather nuts ourselves, I thought we should try recording it and taking it all the way to full realization. Plus, it was a great way to capture Andy’s tenure with us in the studio.”

Lambchop have also announced a tour of Europe and the UK that will span all the way throughout August:

Jul 30 Loerrach, DE – Stimmen Festival
Aug 01 Hamburg, DE – Sommer in Altona
Aug 02 Kassel, DE – Kulturzelt
Aug 03 Würzburg, DE – Hafensommer
Aug 04 Reutingen, DE – Burning Eagle Festival
Aug 05 Karlsruhe, DE – Kulturzelt
Aug 08 Leeds, UK – Brudenell Social Club
Aug 09 Glasgow, UK – Saint Luke’s
Aug 10 Newcastle, UK – Riverside
Aug 11 Manchester, UK – Gorilla
Aug 12 Leamington, UK – The Assembly
Aug 13 Nottingham, UK – Rescue Rooms
Aug 14 Norwich, UK – Waterfront
Aug 16 Exeter, UK – Phoenix
Aug 17 Bristol, UK – Trinity
Aug 18 Bexhill-on-Sea, UK – De La Warr Pavilion
Aug 19 Crickhowell, UK – Green Man Festival
Aug 20 London, UK – Islington Assembly Hall
Aug 22 Heerlen, NL – Cultura Nova
Aug 23 Bochum, DE – Ruhrtriennale
Aug 25 Prague, CZ – Strings of Autumn Festival

To pre-order the 12-inch single of “The Hustle Unlimited”/“When You Were Mine” via Merge Records, click here.

Hey folks, it’s Luke LaBenne here, writer and host of Ghettoblaster’s Best Song Ever podcast. 2016 was a crazy year, full of surprises, so many musical icons released albums and some of them served as farewells. We saw so many amazing albums from veteran artists and some newcomers who grabbed our attention and quickly became beloved favorites. There were so many great albums that I had the honor of listening to and writing about this year thanks to Ghettoblaster. Some of them really stood out so here they are, my Top 20 Albums of 2016.



20. Okkervil River – Away

The ghost album from the band that no longer exists. After the breakup of Okkervil River, frontman Will Sheff went through a period of uncertainty in which his Grandfather and personal hero passed away. Sheff teamed up with jazz musicians, including yMusic’s C.J. Camarieri who used his grandfather’s old trumpet, fusing jazz with their existing folk rock sound. This album that almost didn’t happen turned out to be a warm and beautiful expression with the emotional weight we’ve come to expect from the rock veteran.

Watch: Okkervil River –  Okkervil River R.I.P






19. Kyle Craft – Dolls of Highland

Former GASHCAT frontman Kyle Craft made his SubPop debut with the right amount of retro and modern influences, from Velvet Underground to Neutral Milk Hotel. Kyle tells vivid, sprawling tales of love and loss akin to Bob Dylan, with his powerful, one of a kind voice and big, Springsteen-esque instrumentals. Whether he’s serenading a lady or lamenting his friend who committed suicide, these songs feel very personal and lived-in, with Kyle’s 27 years of life informing each tune.

Listen: Kyle Craft – Pentecost







18. Michael Kiwanuka – Love & Hate

I remember a week where I felt like no albums had come out that grabbed my attention and then later in the week I heard this album and was blown away. British singer/songwriter Michael Kiwanuka combines the building jams of Pink Floyd, with the vocal force and social relevance of Marvin Gaye. Joining soul, folk, and rock to explore the meaning of love & hate, and express the triumphs and trials of a “black man in a white world.” Much of this album is featured in the Netflix’s The Get Down giving a fitting canvas for Michael’s epic, emotional, and uplifting music.

Watch: Michael Kiwanuka – Black Man In A White World






17. Conor Oberst – Ruminations

Last year, Conor Oberst released an album and did a tour with his punk band Desaparecidos. Afterwards, he was exhausted and ill, so he returned to his hometown of Omaha, Nebraska to recover. While there, inspiration struck and he wrote a recorded an album in 48 hours. We see a different Conor then we’re used to, stripped down to just guitar or piano with an occasional harmonica solo. Lyrically, these songs are thick with cultural and literary references that drive home the Americana vibe of this album as Conor looks back over his life and career and considers what lies ahead. What began as a sort of pit stop to regroup turned into some of his most personal and powerful work yet.

Watch: Conor Oberst – A Little Uncanny





16. Frightened Rabbit – Painting Of A Panic Attack

Scotish indie-rock veterans Frightened Rabbit really came into their own with their 2012 album Pedestrian Verse, completing the gradual transition from rougher folkier sound to a more polished indie-rock sound. The National’s Aaron Dessner helped them perfect that sound on this album. Resembling The National and the sound Dessner helped Mumford and Sons achieve last year, these songs are much brighter and catchier than you would assume based on the cover art and title. Lyrically, this album deals with death, addiction, and depression though it has it’s fair share of self-deprecation hope permeates each track. Under the tutelage of Dessner, these guys join the ranks of indie-rock greats and continue to grow with each new album.

Watch: Frightened Rabbit – I Wish I Was Sober




a3501043119_1015. Mutual Benefit – Skip A Sinking Stone

Jordan Lee has made music under the name Mutual Benefit since 2009, but this year he reached new heights with Skip A Sinking Stone. While touring, Lee contemplated life and love during long car trips, putting his questions and realizations into words gives this album it’s lyrical power. Backing up his insightful lyrics are grand compositions akin to Sufjan Stevens, that can shift quickly into bare, intimate folk. This album is grand yet isolated, using nostalgia as a means to move forward.

Watch: Mutual Benefit – Not For Nothing






14. Vince Staples – Prima Donna

Last year, Vince Staples established himself as a force to be reckoned with in the world of Hip Hop with his album Summertime ’06. This year, Vince let us know just how fame was treating him with a mini-album full of 7 heavy-hitting songs about his disillusionment with fame, but his strength and relevance despite it, effortlessly weaving social topics into his personal narrative. Not only is Vince at the top of his game lyrically (with more lyrics that can make Christian moms cry), but he has some production help from the great James Blake, appearances by A$AP Rock and Kilo Kish, and heavy nods to OutKast, even with a sample of Andre’s verse from ATLiens. Every song on this album is fantastic and it comes with a short film to compliment each track.

Watch: Vince Staples – Prima Donna





13. Lambchop – FLOTUS

For Love Often Turns Us Still. The veteran folk-rock band turned a page with their latest album, ditching their folk sound for electronic elements and airy, funky grooves. Kurt Wagner has experimented with electronics in the past, but on FLOTUS he seamlessly rolls them in with traditional instruments, primarily bass and piano, to make a smooth, hazy, and beautiful album. Ending, with an 18-minute “love” song. This album can pull at your heart strings just by the mood and feeling the music creates.

Watch: Lambchop – NIV






12. El Perro Del Mar – KoKoro

After 8 months of “maternity leave” indie-pop artist Sarah Assbring returned with her 5th album as El Perro Del Mar. After visiting a museum with eastern instruments and listening to japanese, chinese, thai, and indian pop Assbring added this eastern influence into her existing style of melancholy pop. This new style emerges on each song always in a new and interesting way. Something about motherhood enabled Assbring to tap into primal truths of humanity make this album very deep and insightful.

Watch: El Perro Del Mar – Breadandbutter






11. Beyonce – Lemonade 

Lemonade was more than an album. It was a film, it was couples therapy, and it was a cultural phenomenon. Never before had a superstar given such an intimate look at their lives on such a large scale. Not only did Jay-Z’s infidelity bring out some of Beyonce’s most powerful work exploring the nature of love, blackness, and womanhood, but she is also joined by an all-star cast of collaborators like Jack White, Kendrick Lamar, and the aforementioned James Blake. Queen B is at the height of her power and vulnerability making this album dynamic and addictive.

Watch: Beyonce – Sorry






10. Red Pill – Instinctive Drowning

If you’ve read my posts or listened to my podcast then it’s no surprise that Detroit rapper Red Pill ended up this high on my list. Red Pill was one of my greatest discoveries this year and  just in time for him to drop his innovative second album for Mello Music Group. With the help of producer Ill-Poetic, he creates an eclectic journey through the life and mind of Chris Orrick a.k.a. Red Pill. Shedding the old school style of dusty samples and venturing into more expansive and experimental instrumentals, so much ground is covered on this album. Whether it’s grand speculation about the universe or small insights into his personal life, we hear a deep thinker whose thoughts and intentions go deeper than his actions. This record is a weighty and philosophical listen with stunning instrumentals and dynamic production, reflecting the complex contradictions in all of us.

Watch: Red Pill – Instinctive Drowning




9. Childish Gambino – “Awaken, My Love!”

I was anxiously awaiting a rap album from Childish Gambino but he delivered was even better. Venturing into funk and not spitting a single rhyme on the album, Donald Glover has defied our expectations of what he’s capable of. With the success of his FX series Atlanta we can see Glover really coming into his own as an artist. This album feels completely genuine and as a result is his best record to date. With sprawling guitar solos, extensive jams, and call and response vocals reminiscent of old school funk. Glover tackles social issues in a way we haven’t seen him do before, he calls it, “a shared vibration for human progress.”  No album released this year sounds remotely like this one.

Listen: Childish Gambino – Me and Your Mama





8. Kishi Bashi – Sonderlust

Sonderlust is the idea that each random passerby has a life as rich and complex as your own. That elusive concept it what K. Ishibashi attempted to capture on his third album. This album had a rocky start, with K. being underwhelmed by the songs he was writing. Meanwhile, family problems occurred and he threw himself into the music. The result is an examination of love, an album that plays like a movie. Produced by Grizzly Bear’s Chris Taylor and featuring a full backing band, string quartet, and some contributions from of Montreal’s Kevin Barnes. This album is the grandest instrumentation and most experimentation that we’ve seen from Ishibashi yet. I recently got the vinyl and put it on and it’s impossible to turn off, each song is so engaging and plays into the next song perfectly.

Watch: Kishi Bashi – Hey, Big Star




weezer_white_album7. Weezer – Weezer (White Album)

2014 saw the comeback of Weezer, one of the greatest rock bands who seemed to have lost their way a bit. Fans of Weezer’s early work had shut out their pop punk sound when it went in strange directions while still permeating the mainstream. Everything Will Be Alright in the end won back many Weezer fans (including myself) and they quickly followed it up with the fourth installment of their self-titled color albums with what will forever be called The White Album. This is the greatest summer album you could ask for, channeling The Beach Boys with nautical themed rock songs as warm as the California sun. Every song is beautiful while being relentlessly catchy and fun. They may have won back their fans in 2014 but in 2016 they’ve assured us that they won’t be straying from our favor any time soon.

Watch: Weezer – LA Girlz




life-of-pablo6. Kanye West – The Life of Pablo

Where does the art end and the artist begin? Can you separate the two? Kanye makes us ask this question all the time. How can I adore someone’s music but disagree with most of their actions in their life? Everybody has to draw their own line, all I know is that ever since 2004 when I listen to Kanye’s music I’m blown away. Though his styles have changed and there’s so much controversy surrounding him constantly, he has a true talent for music. There are moments of shocking vulnerability on this album as well as your typical Kanye ego and braggadocios attitude. The collaborators here are insane from Chance to Frank Ocean, Rihanna to Kid Cudi; so many amazing artist line up to work with Kanye despite all his issues and there is a reason for that. I don’t let the news or blogs or reality shows or even the artist’s actions shape my opinion, I let the music speak for itself.

Listen: Kanye West – Ultralight Beam



09e256ce885fe6b3cf181239c3b3231c-1000x1000x15. A Tribe Called Quest – We got if from here… Thank you 4 your service

The legendary hip-hop group’s first album in 18 years was everything you would hope. Including the late Phife Dawg’s final verses, and an all-star list of contributors including Kendrick Lamar, Jack White, Andre 3000, Anderson Paak, and Elton John. Q-Tip masterfully comments on all the major political and social topics over beats that feel completely current while evoking the groups earlier work. From start to finish this album has you hooked, the music is so engaging while leaving room for some experimentation and the lyrics just speak so perfectly to the emotions many people are feeling. Dave Chappelle hosted SNL with ATCQ as the musical guest and he said it’s always scary to make a comeback so it’s nice to know you’re not doing it alone. This is one of the greatest comeback records you could ask for, while adding to the legacy of one of hip-hop’s greatest contributors.

Watch: A Tribe Called Quest – We The People…



a2344894986_104. AJJ – The Bible 2

Formerly Andrew Jackson Jihad the Arizona folk-punk band has been making music since the mid 2000s. Their sound was mostly acoustic with folk instruments like guitar, banjo, and standup bass and Sean Bonnet’s wild, cracking voice and unpredictable lyrics. On 2014’s Christmas Island they unveiled a new sound, with the help of one of my favorite rock producers John Congleton. On The Bible 2 we see Bonnet’s lyrics more refined, and the folk punk style perfected. This is the most dynamic album the band has delivered. Congleton likes music that makes him feel a range of emotions, and helps bring out the individual personalities of each song. Weather it’s crunchy punk tracks like “Cody’s Theme” and “My Brain Is a Human Body,” resembling Neutral Milk Hotel, or intimate ballads like “Junkie Church” and the song that brings the album’s core mantra, “No More Shame, No More Fear, No More Dread.” For those of us who feel uncertain in our skin sometimes, these weirdo anthems have relatable lyrics that hit hard. Though they’ve been around for years this album quickly made them one of my new indie favorites.

Watch: AJJ – Goodbye, Oh Goodbye



c5e308973. Chance The Rapper – Coloring Book

Forget Blonde. Forget Pablo. Forget Lemonade. Coloring Book was my most anticipated album of the year (and then it was exclusively on Apple Music FML). With 2014’s Acidrap I fell in love with the music of Chance Bennett. I began to respect him a lot after I watched him get a beer bottle thrown at him and tell the person who threw it that he loved them (he did walk off stage after someone threw a second bottle but can you blame him?). After the release of Angels, the birth of his daughter, and his phenomenal appearance on Kanye’s Ultralight Beam it was clear that Chance is growing and maturing. On this album we see Chance on top on the world, yet he remains grounded. In a world where mainstream hip-hop keeps getting darker with melodies drained, Chance injects warmth and brightness into the genre. Tapping into nostalgia in a more productive way than Donald Trump. This album has everything, ballsy hip-hop swagger, brooding trap, and glorious gospel. Not to mention this album redefined what independent mixtapes are capable of accomplishing. Chance has ascended to super stardom with Nike and Kit-Kat commercials, and features on numerous albums including The Hamilton Mixtape. It’s hard not to be a stereotypical hipster and say I’ve loved Chance for years and condemn the bandwagon jumpers, but instead i’ll just say it’s about damn time.

Watch: Chance The Rapper – No Problem



a1767464498_102. John K. Samson – Winter Wheat

The former frontman of The Weakerthans trades out his rocking for restraint and the result is one of the most beautiful, powerful folk albums of the 21st century. Whether he’s speaking about internet trolls, a departed loved one, or a rehab center he so perfectly captures the humanity in any situation. John is a master of melody so you have some incredible lyrics paired with the most infectious melodies. The lyrics walk the line of being cryptic enough that you don’t understand his specific references, but specific enough that you grasp the mood and the story being told. The albums title refers to a crop that endures the winter and rises in the spring and this metaphor extends to many of the stories on this album. He is great at capturing low points and the clarity that follows. This album just hits you in the heart with every new song, they’re masterfully performed and produced emotional wrecking balls, delivered with a warm and comforting voice.

Watch: John K. Samson – Postdoc Blues



heavn_front-1000x10001. Jamila Woods – HEAVN

This album was off of my radar because it wasn’t on Spotify, and it is responsible for 90% of my Soundcloud visits this year. This album did for me what Solange’s Seat At The Table did for many others, perfectly put into words and music the life and struggles of black females. It shows how music can be the most powerful tool to connect with someone who’s life is different than yours, while highlighting the shared aspects of humanity that connect us all. Whether she’s singing a love song, lamenting her departed grandfather, or sounding a battle hymn, she does it with such a warm and steady voice. The music is just so beautiful with production by the likes of Saba and Kweku Collins, combining jazz, folk, and r&b. Much like her Chicago buddies Noname and Chance (who both appear on the album) she taps into the nostalgia of 90’s kids, altering playground rhymes and the Mr. Rogers theme. This album is a smooth and tender tale of love, family, pain, power and resilience.

Watch: Jamila Woods – Blk Girl Soldier



The One About the Best of 2016

Brian and Luke take you on a journey through some of their favorite albums of 2016.   Also, be sure to check out their individual top 20 albums of the year list on the Ghettoblaster Magazine website!

Every week Ghettoblaster feature writers (and dear cousins!) Brian LaBenne and Luke LaBenne will be bringing you fresh new songs with the hopes of introducing you to some that you may consider to be the best song ever.  Both Brian and Luke have no idea what songs the other has picked, so what you are hearing is their genuine reaction to listening to the songs together.  Also, if you enjoy this episode, head to ITunes to subscribe and rate our podcast with the highest rating available to you.


Songs Played on The One About the Best of 2016

Outer Spaces – “Words” from A Shedding Snake on Don Giovanni Records

AJJ – “Cody’s Theme” from The Bible 2 on Side One Dummy Records

DOGBRETH – “Do You Really Want Me” from Second Home on Asian Man Records

Lambchop – “Relatives #2” from FLOTUS on Merge Records

Twin Peaks – “Getting Better” from Down in Heaven on Grand Jury Music

Mutual Benefit – “Not for Nothing” from Skip a Sinking Stone on Mom+Pop

PUP – “Doubts” from The Dream is Over on Side One Dummy Records

Frightened Rabbit – “I Wish I Was Sober” from Painting of a Panic Attack on Atlantic Records

Eric Bachmann – “Carolina” from Eric Bachmann on Merge Records

Kishi Bashi – “Honeybody” from Sonderlust on Joyful Noise Recordings

Just in time for the holidays, it’s Ghettoblaster #45! This issue features a double cover on Lambchop is a Band and Beach Slang in addition to interviews from Dinosaur Jr, Neurosis, Brookzill, Opeth, Drive-By Truckers, Teenage Fanclub, of Montreal, Russian Circles, Maria Bamford, Matt Berry’s Music, EarthQuaker Devices‘ comic Octo Skull,Atlas Obscura and so, so, so much more! Order online soon or grab one at your favorite record/book shop.

You can order a copy soon over here, or you can fill out this form to subscribe for a whole year’s worth of Ghettoblaster delivered straight to your door – a perfect gift!

The Nashville-based Lambchop, a collective of musicians focused around its creative centre, frontman Kurt Wagner,  has released its 12th album FLOTUS today and has shared a documentary styled video for “NIV.” The video itself centers around the true story of a homeless couple Matt and Amber. This is a story you rarely see or hear in Nashville, or anywhere U.S.A., detailing the daily struggles of the homeless attempting to survive. The video was directed by Elise Tyler and he captures the gritty reality the couple deals with.



This is Past Sounds. Every Friday Ghettoblaster Magazine is looking back and finding great music from various eras. This week we present some of the best music videos for great songs because, why not?  Below are songs and videos that sound and look great no matter what decade they’re played in. So strap in as we take a musical journey, back in time.

The Avalanches – Frontier Psychiatrist (Since I Left You, Sire Records) 2000

In 2000 The Avalanches released Since I Left You, an absolutely classic album with just around an hour of sample based summery dance music. It’s the type of album you really have to listen to from start to finish in a single sitting as the songs bleed together, providing an astounding DJ set.  Frontier Psychiatrist is not the best song on the album by any means, but the song, and even more so it’s music video, are a very good representation of what the album is all about: manic joy.  This is my favorite music video ever and it is utter chaos.  Looking for a grandma drummer?  How about a turtle with the face of your grandfather?  There are awesome looking horns, a strange parrot and so much more all on a single stage.  It simply is the best.

Robyn – Call Your Girlfriend (Body Talk, Konichiwa Records) 2010

Robyn took the indie pop world by storm in 2010, releasing three mini-albums and a full length collection of the best songs from these as well as some new songs. Everything she put out that year was fantastic and she has since become a staple for Hipster dance parties around the globe.  Call Your Girlfriend is a powerhouse pop song with a stellar music video.  The music for Call Your Girlfriend repeats itself, as do the lyrics, growing bigger and bigger each time until it culminates into an outright synth meltdown.  Likewise, the music video begins in a simple open warehouse with Robyn singing to the camera and dancing; however, over time the landscape changes a bit with great lighting and more involved dancing from Robyn.  The most impressive part of the video is that it is a single long tracking shot and Robyn nails the choreography the whole way through, making the video a visual delight.

Cut Copy – Need You Now (Zonoscope, Modular Recordings) 2011

Cut Copy is not necessarily a stuffy band but they had commanded a sort of stoic presence, especially during their live shows. Need You Now is the opening track on their great 2011 album Zonoscope and really set things off in the right direction.  It’s a fantastic driving song with a solid beat and shimmering synths in the same vein as New Order.  It’s not a playful song and Cut Copy had not been known as a playful band, which is what makes the music video for Need You Now so much fun.  It begins pretty normally with the band performing their song, but various athletes from several different sports show up and are captured on video in full gear, which is edited in a very cheesy and funny way.  Soon they are exchanging equipment, rushing the band’s playing area and eventually declaring love and war on one another.  It’s super fun and the fact that it came from Cut Copy makes it even better.

Lambchop – Gone Tomorrow (Mr. M, Merge Records) 2012

Gone Tomorrow is the opening track from the gorgeous album Mr. M, which was released by Lambchop, a band whose label describes them as “Nashville’s most f*cked up country band.” There’s nothing on this song that really points to their more sinister side, it is just a simply beautiful track.  Yet, that statement from the label does shed some light onto why the video for this slow, lovely song is full of local professional wrestling.  The pacing of the video matches the song and is a meditative and deliberate piece of art that captures wrestling moves the way you would capture ballerinas at a Julliard performance.  The combination of song, subject matter and video aesthetic is absolutely perfect, resulting in a seven minute video that leaves you wanting more.

Welcome to Future Sounds! Every Wednesday Ghettoblaster brings you a handful of singles from upcoming albums to excite and entice your ears. Below you’ll find songs that really stand out as essential listening. So please sit back, relax and treat yourself to some seriously great music.

Microwave – Vomit (SideOneDummy Records)

Recently named Band To Watch by Stereogum, Georgia-based post-hardcore band Microwave have announced their sophomore album, Much Love, out Sept. 30 on SideOneDummy, and they’ve shared this powerful new song and video. This song captures the moment when the party becomes the problem. Frontman Nathan Hardy grew up Mormon and left the church for the Rock ‘n’ Roll lifestyle. On this song he describing a scene, “I hear you down the hallway there puking, I hear your pompous college friends they’re puking outside.”  Shaken by the actions of his party companions he begins to question the meaning of what they’re doing. the first half of the song is gentle and the second half furious, repeating the chorus, “there’s no such thing as love, we just felt vulnerable without a god, without a crutch.” Hardy taps into a truth about how people uses relationships or substances or religion to conquer whatever issues they’re facing. He has this to say about it, “Pretty much anything that people get really passionate about and use to attach meaning to their life is contrived and isn’t inherently meaningful.” This song is a slice of sweet angst and cynicism, paired with insightful examinations of human behavior.

Sam Spiegel & Ape Drums (feat. Assassin)  – Mutant Brain 

Director Spike Jonze made a stir yesterday with his music video/perfume ad for Kenzo World, in which actress Margaret Qualley leaves some stuffy event to run around busting out eratic, primal dance moves. Not only is the video visually stunning, but it features this frenetic track produced by Ape Drums and Spike’s brother Sam Spiegel, featuring dancehall musician Assassin providing wild shouts and screams, perfectly complimenting Margaret’s dancing. This is clearly a nod to Jonze’s Fatboy Slim video where Christopher Walken was the dancing star. This song is super driving and catchy with the obligatory EDM drop, yet it’s a totally fresh and unique song. They couldn’t have asked for a sweeter music video.

Sleigh Bells – It’s Just Us Now (Torn Clean)

Sleigh Bell’s debut album, Treats, shocked the music world, mixing Derek Miller’s punk and metal riffs with Alexis Krauss’ pop sensibilities. I had high hopes for the albums that followed, but was a little disappointed. While is seemed they had exhausted their signature sound, it seems this is not the case with the recent string of singles off their upcoming fourth album, Jessica Rabbit, out Nov. 11 on their own Torn Clean label. Krauss’ lyrics seem more developed, her hooks are super catchy, and Derek’s “True Shred Guitar” is forceful yet melodic. Judging by this track the dynamic duo won’t let us down this November, and maybe their noise-pop rage can help us release some election-fueled fury.

Lambchop – The Hustle (Merge Records/City Slang)

Got 18 minutes to spare? If not, clear your schedule this ones worth it. The lead single and closing track (weird right?) of Lambchop’s new album FLOTUS, out Nov. 4 from Merge/City Slang, is a subtle, yet epic musical  journey, akin to Lou Reed’s Street Hassle. For more than 20 years Nashville’s Lambchop has made some great country-rock albums, yet they’ve made a startling departure for their new album. There is no trace of the band’s country roots, instead they implement electronic elements to make a rich tapestry of sound. This song is guided by a repetitive, pulsing beat and a smattering of instruments making brief appearances. Kurt Wagner’s haunting baritone, reminiscent of Leonard Cohen, only occupies a small portion of the song, yet he tells a sweet, sad love story. The album name stands for For Love Often Turns Us Still,  and that is the case on this track. This is a truly beautiful song and this album will no doubt be one of Lambchop’s finest.