All posts by Tommy Johnson

Since the year 2000, Ghettoblaster has been putting out a quarterly print magazine.  For Ghettoblast from the Past, we look back at the bands and artists that were showcased within these pages.

From Issue 27, Daptone Records Charles Bradley.  Words by Nora Spitznogle.  Photo by Toni Skotcher.

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To subscribe to Ghettoblaster Magazine or to pick up this issue, head over to our In Print page.

Since the year 2000, Ghettoblaster has been putting out a quarterly print magazine.  For Ghettoblast from the Past, we look back at the bands and artists that were showcased within these pages.

From Issue 32, Relapse Records Torche.  Words by Andrew Lampela. Photo by T. Lynne Pixley.

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To subscribe to Ghettoblaster Magazine or to pick up this issue, head over to our In Print page.

Boston rap duo G Dot & Born have released the video to their single “Ghetto Survivors”.  Produced by Ben Hedibi and featuring Juice Crew member Masta Ace, the track also offer cuts by DJ Technic.

Shot in Boston, G Dot, Born and (Brooklyn raised) Ace relate war stories and lessons learned growing up on the block.

G Dot And Born have been making moves over the past few years including a full-length album with their mentor Edo G (Confidence Presents G Dot & Born featuring Edo G) which yielded the 300,000+ viewed video for “Makin’ Tracks.”

Twitter:

G dot & Born: https://twitter.com/gdotborn

Masta Ace: https://twitter.com/mastaace

A musical amalgam of each member’s playlists, Jumbotron (husband/wife duo Ben Lebovitz and Regina Shvartsman) serve up tracks that possess elements of dance punk, art-rock, electro-rap and some WTF?!? Midi moments. Lebovitz writes most of the music as well as sings and plays guitar/bass. Shvartsman who is an accomplished musician, plays keyboards and sometimes adds Yoko style vocals in the backgrounds.

As for the group’s forthcoming self-titled EP via Public School Records, Jumbotron will be featuring label-boss/emcee Coolzey on several tracks. The musical chemistry between Coolzey and Lebovitz has been building for many years as Lebovitz was a partner in Ace Fu Records (Man Man, Pinback) who signed Coolzey’s first group, Sucka MC’s.

Check out the premiere for “Whiskey Vinaigrette” here:

To pre-order Jumbotron’s EP: https://publicschoolrecords.bandcamp.com

More info: https://www.facebook.com/jumbotronzzz

 

“Watching Jason was the first time I thought I could start my own band, and write my own kind of music…Jason totally set my life in this new direction. It wasn’t a Jimmy Page or KISS poster I had – it was fuckin’ him!” –Dave Grohl

The statement above is just one of many you’ll find regarding Jason Narducy. His bio alone is the stuff of legends: co-founder of Verböten, frontman for Verbow, bassist/backing vocals for bands that have included Bob Mould, Superchunk, Telekinesis, and Bob Pollard.

Since 2011, Narducy has been front and center with his band Split Single. The musician formed the band after a friend, Steve Dawson, invited Narducy to do a solo set in Chicago. After haven’t written any original material for eight years, Narducy challenged himself to come with ten new songs; forty tracks later, Narducy felt that that he needed to do something with them. Split Single featuring drummer Jon Wurster, bassist John Stirratt (Wilco), and vocalist Nora O’Connor, released their second album Metal Frames back in November. The tracks are vintage Narducy-offering up the perfect mixture of punk, pop, and rock that fans will never get tired of hearing.

Ghettoblaster recently caught up with Narducy to discuss Metal Frames and more.

You have played music with some incredible musicians (Bob Mould, Dave Grohl, Bob Pollard). What are some of the things that you have learned from them?

Those three are very different personalities. Dave is the most social of the three. I’ve learned so much from Bob Mould and that started long before I worked with him. I used to learn his songs and his guitar chord voicing as a kid. When I was 22, I performed his Workbook album in it’s entirety. For me, Bob took over from where Pete Townshend left off. Once I started touring with him, I learned the value of preparing;musically and physically. A 90 minute Bob Mould show is a sonic wallop and it takes endurance to keep up with him. Recording with Bob is not as physically demanding. He is surprisingly detail focused for someone known as a punk icon and that shows in his recorded material over the last 25 years.

All three are phenomenal songwriters. I think efficiency is something I’ve picked up from them. Not every song needs a bridge. Not every song needs a repeated chorus. Little things like that.

Prior to Split Single’s debut Fragmented World, you hadn’t written any original material in eight years. What caused you to take such a long break from writing?

I was emotionally drained from the Verbow schedule. Including the Jason & Alison album, we had done the write/record/tour cycle three times and the last record was received poorly. Or just plain ignored. Releasing original music is a personal process in which you are vulnerable to criticism. I needed a break. Fortunately, I got work as a bassist and was able to still play music.

Do you see the process of writing coming a little easier these days?

It is easier for me now. I’m older and don’t feel the same kind of pressure I felt when I was younger. I think I’m also writing songs that better fit my singing voice. That makes performing the compositions so much more enjoyable!

Wilco bassist John Stirratt joined in for the recording of Metal Frames. What elements did Stirratt provide for the band?

Well he’s a sick bassist. He’s such a song guy. He picks his spots when the lead vocal is out. It was quite a treat to watch. Even more importantly, he’s a pleasure to be around. Very funny and one of the friendliest people I’ve met.

I read somewhere that watching The Who’s “The Kids Are Alright” ultimately got you into music. What was it with the documentary that inspired you?

I was already very much into music but that movie opens with a rock band playing a powerful, mischievous song and then destroying their instruments. It’s incredible to watch. Still. The Who used power and self-inflicted violence to express anger and I wanted to join in immediately. No idea why they never let me join their band but that’s ok. I made my own.

Where was Metal Frames recorded at?

Atlas Studios, Chicago.

What was the recording process like for Metal Frames?

We recorded drums (Jon Wurster) and bass (John Stirratt) first. Then I recorded guitars. Then I had a number of guest musicians add things. Tim Remis plays and sings, Steve Dawson plays guitar, Nick Miller plays guitar, Nora O’Connor sings on a majority of the songs, and my family even joined in – kids and wife.

You have released the Split Single albums independently; a trend that a lot of artists/musicians are doing these days. Do you find more rewarding having control than being on a major label?

It’s a lot more work but it has inspired me to be more creative. I don’t think I would have come up with the Sexiest Elbows in Rock episodes if I was signed to a label. Releasing the records out of my basement forced me to think of unusual ways to reach like-minded people because I don’t have a manager or label. It’s all on me.

Has there been any indication that you will get some of your early projects back up and rolling?

There’s talk about doing a musical based on my first band, Verboten. That could be cool. There are people who want to do it. Not sure how it will all pan to at this point.

 

(Visit Split Second here:
http://www.splitsinglemusic.com/
https://www.facebook.com/splitsingle/)

Beautifully soaked melodies, her own established brand of pop-tinged rock-the tracks to singer/songwriter Mary Lynn’s latest album My Animal are simply too hard to resist.

The Columbus, Ohio musician recently has stepped out on her own after near decade run with her previous band This Is My Suitcase.  My Animal offers up songs on love, growing pains, and relationships that essentially captures Lynn’s vulnerability in a powerful way that’s can be true to her.

Mary Lynn partnered with mixing engineer Bill Moriarty (Man Man, Dr Dog) to help bring My Animal into the true sonic animal it is. And Mary Lynn says her music is just what she strives to be: “Real; Honest; Human; Myself”.

Check out the video for “Space”:

My Animal was nationally released on September 23, 2016 through Anyway Records.

(Visit Mary Lynn here: http://songsbymarylynn.com/)

Since the year 2000, Ghettoblaster has been putting out a quarterly print magazine.  For Ghettoblast from the Past, we look back at the bands and artists that were showcased within these pages.

From Issue 24, Daptone Records own Sharon Jones &the Dap Kings. Words by Travis Altman.  Photos by Beowulf Sheehan.

R.I.P. Miss Jones.  You will be missed.

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Serengeti first began in 2003 when Chicago’s David Cohn offered to add his voice to the world of hip hop. Since then, Serengeti has been bringing his Chicago heritage and distinctive take on hip hop to the musical world, where he has been extremely prolific, generating 15+ albums since his origin.

Perhaps most notable of those records is that of Dennehy, on which Cohn drives home his Chicago heritage into his rhymes via a fictional character, Kenny, that he raps as, even rapping in a Chicagoan accent and references the prominent sports teams and regional favorites of the Midwest. But rapping as a character or a personae is nothing out of the ordinary for Cohn, and his vast catalogue shows him changing and progressing his sound constantly. These changes are often accompanied by various collaborations and side projects. Serengeti has collaborated with the likes of Polyphonic, Hi-Fidel, and Odd Nosdam on his own studio albums. In 2014, he also teamed up with Sufjan Stevens and Son Lux to become a member of the project Sisyphus.

Fast forward to 2013, Cohn met up with Tobias Vethake, aka Sicker Man, in Bonn, Germany, and they collaborated to create Saal. Though they had collaborated before, this album showed a departure for Cohn from his tight knit verse and featured him singing along to the orchestral pop music that Vethake added to the mix.

2016 sees Cohn and Vethake teaming up again, but this time in Berlin, where they recorded their album Doctor My Own Patience, which was released December 16 on Graveface Records.

Here’s Serengeti + Sicker Man’s single “Impress A Girl”.

 

A couple of hours from now, Brett Sova will be hosting a bassist in his place.  The musician has been invited by Sova to come over and try out to land a spot on the psych rock group Axis: Sova.  According to Sova, there has been a “carousel” of bassists within the group over the past year or so.  With today’s scheduled practice, Sova is optimistic that the bassist and he will gel together effortlessly.  “I’ve heard some of the stuff that he does and it sounds cool.” Sova says.  “I (asked) him what he’s favorite Stooges album and he said, ‘Well to answer thoughtfully…’, so that to me-you are welcome to audition (laughs).”

Growing up in Columbus, Sova moved to Chicago when he began attending DePaul University.  He strived to go somewhere else that things were transpiring; Chicago seemed to make the most sense in part due to his Midwestern roots and the opportunities that the city could offer him.  Sova offered up that he has been looking towards moving to the West Coast at some point.  One of the main driving forces towards venturing out to the region is in part due to his family being there.  A plan needs to be put into place first for Sova; the idea of just picking up and moving doesn’t really appeal to him.  So for now, Chicago is home; the admiration for Ohio has never left him.  “It’s still embedded in the DNA,” Sova states.

Obtaining the moniker from a fascination of Jimi Hendrix’s Axis: Bold as Love, Axis: Sova started off as a solo project.  Sova was offered to perform the opening slot at the show that was headlined by the reuniting indie rock group Mantis.  With his band Mass Shivers ending their run, the set couldn’t have come at a better time.  The solo show was a success; Sova performed a fuzzed out, psychedelic that drew quite the audience.  Sova unsuccessfully tried to get the members of Mass Shivers to accompany him at another show a few months later.  When his band mates couldn’t make it, Axis: Sova performed instead, ultimately ending Mass Shivers.

Two albums and a handful of singles have been released under Axis: Sova.  Primarily recorded solo, Sova relied mostly on a drum machine and effects pedals.  With Axis: Sova’s latest Motor Earth (released in the middle of October via God? Records), Sove pushed to make the album strictly a band album. “I made a concerted effort to turn Axis: Sova into a band and go away from the one man show type thing.  I wanted to document that,” Sova says.  “It came out to be the most powerful record that I’ve been a part of yet.”

Recording with longtime collaborator Tim Kaiser on guitar, Bitchin’ Bajas’ own Cooper Crain engineered Motor Earth and also added some auxiliary percussion to some of the tracks.  Sova relinquished a lot of the workload; his band mates the freedom to have input and write their own parts to the songs.  At times, Sova admitted that he had some difficulty not being in complete control, but it was also a blessing.  “It came down to being able to verbalize things,” Sova said.

The future of Axis: Sova is now starting to become a little clearer.  Sova mentioned that there’s still the capability to have the project be just a one man band.  However, the recording of Motor Earth changed the landscape.  “The exciting for me is that it feels it’s alive and moving.  It can expand and contracts.  It can morph and change shapes,” Sova says.  “That to me…it’s less easily defined.  When you say Axis: Sova, it’s meant different things at different times.  I hope that it continues to do that for as long as it’s happening.”

(To visit Axis: Sova:

http://www.dragcity.com/artists/axis-sova

https://www.facebook.com/axissova

https://twitter.com/AxisSova)